The Renegade Sessions are go!

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It has been in the planning stages for a while, but, as part of a wider review of what we do, how we do it, and where, we are launching, in conjunction with the top folks at Renegade Brewery, live music at the rather cool Baila Coffee & Vinyl on Victoria Road in Old Town.

baila_2522016151053But live music in a coffee shop I hear you say? Well, yes, the core of the business may be as a coffee shop, but it is the antithesis of the identikit chains which are taking over the high street, , much like us at SoP. Additionally, along with the very friendly vibe of the place there is a rather tasty vinyl rack, which follows the shops quality over quantity way of operating, stuffed full of seminal albums and underground collectibles, the cream of the leftfield, everything from rock and soul, dance and hip-hop, funk, pop and even…

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Grasslands live at the Roaring Donkey in Swindon

Without enough practice to make him comfortable, Tom has decided to take his collection of Grasslands songs outside his studio and attempt to play them in a coherent manner to audiences of humans in places that he likes.

Here is the type of thing you can expect (backwards and sped-up, thus making it not exactly what you can expect).

Tom’s first gig is at the Roaring Donkey in Swindon on Wednesday 20th April in support of George Wilding.

Here are the full details: https://www.facebook.com/events/845523335570906/

Come and say ‘hi’ or give me a Mars Bar, it’s up to you which you want to do.

Who Cares What The Laser Says? – White Wine (reviewed by Thomas Haynes)

Here is my review of White Wine’s cool new album

Dancing About Architecture

White-Wine-Cover-2500White Wine’s new album ‘Who Cares What The Laser Says?’ is a twisted broken treat to listen to. Joe Haege’s antagonistic vocal delivery flashes over the synths and awkward beats and the lyrics are well written and delivered. His angst filled delivery is on show in the second track ‘Where’s My Line?’ (see the video below). You will also quickly assimilate the chant of ‘I’m a sick and narcissistic sycophant!’ from the track ‘Bullet Points Like Swords’.

The album title is a sentiment against technological progress, which feels well represented within both the lyrics and the soundscape of the album. Many of the drumbeats present are stop/start, which keeps you on edge as the album progresses.

There is a dark moodiness to much of Side A (I am so happy to see the two side album concept still in effect). The opening track ‘Is This Weird?’ reminds me of a…

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